Art and Emotion
(continued)
Seeking the fulguration transcends me; my biological condition withers
away, turning me into an incorporeal "ectoplasm". That
is ecstasy; that is what makes me feel different; that is what
makes my body different from my soul. It is an inaudible sound, a
colourless, empty picture, a speechless voice, the heart's eye,
the most beautiful look.
******
Working
on the mass as a substance in order to make it discharge the
potential intensity of the energy which it is ready to release.
In
its essence, my work takes its roots from the analogy with the
electric spark of the endometrium; with the birth of a
subjective, latent, and irrational emotion, that of the clash
between the substance and the idea.
******
From
this substance "in abeyance", willing to live, one must
through signs, through the way, and through the gesture (more or
less dazzling, profound, fierce, dry, curved) give expression to
the materiality of an inner vibration – the dreamlike vision of
a flash of lightning – the introspection of a craving or of a
repulsion – the outcome of an idea at the beginning of the work
that will, in all likelihood, lead to a new instinctive
expression; an expression whose springboard will be the worldly
space that separates the beginning from the end of this gesture
and that I will call the "joy of good fortune". The
intuitive analysis of these gestures stems from the instantaneous
exchange between the substance, i.e. the tool between the hands,
and the vibration or vibrations.
The
expressed signs can have, as a starting point, a pre-existing
code, such as writing, music, plane geometry, or a three-
dimensional space. This starting point can be exclusively
exhaustive and can, as well, result in an informal discovery
induced by the material or the gestures. The material matters
little so long as it lives, breathes, and inspires. As to the
gesture, it could express an idea that is intimately related to
the subject or utterly rejecting the latter if the thematic
introspection lays down a somewhat more-or-less felt mode of
contrast.
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